Home
Art
Academy
About
More
Blurred Boundaries and Deceptive Dichotomies in Pre-Modern Texts and Images: Culture, Society, and Reception, eds. Dafna Nissim and Vered Tohar, Fundamentals of Medieval and Early Modern Culture, 28 (Berlin and Boston: Walter de Gruyter, 2023).
“The Emotional Agency of the Portrait: Identification and Pleasure in the Relationship between Philip the Good and his Portraits (The Hague, KB, ms. 76 f 2),” Mabatim:Journal of Visual Culture 1 (2022): 31–57 [Hebrew].
“The Emotional Agency of Fifteenth-Century Devotional Portraits: Self-Identification andFeelings of Pleasure,” Siculorum Gymnasium (2019): 331–356.
"Resemblance and Identification in Personal Devotion: The Images of St. UrsulaCommissioned by Anne of Brittany” Mediaevistik 33, (2021): 213–239.
“The kiss of the lips: Spirituality and exegesis to the Song of Songs in Laval’s portraitpraying to Mary and the Infant,” Perspectives: Revue de l’Université Hébraïque deJérusalem 25 (2018): 209–229.
“Knight, Horse and Groom Called to the Rescue – Secular Figures in The Goldenes Rössl”, Journal of Arts and Humanities 4 (2015): 1–13.
